It offers a wider range of sounds and no sequencer. Novation Bass Station - it is one of the first 303 analog clones released in 1993.It is said to have a close sound to the original. MB 33 comes in a back color, while FreeBass 383 is the same thing with a white and orange design. MAM MB 33 (and FreeBass 383) - it is an analog rack-mount unit with knobs.The layout and design is significantly different from the original. Future Retro Revolution - uses analog technology with digital DSP effects.Dinsync RE-303 - It is a replica kit and requires electronics and soldering knowledge for building.Cyclone Analogic TT303 - according to some users, it is the closest sounding to the original.Comes in silver, blue, red, yellow, purple, and green colors. Behringer TD 3 - an analog monosynth heavily inspired by the TB-303 in both function and appearance.Acidlab Bassline 3 - uses analog technology and said to have a close sound to the original.
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There have been a number of hardware and software clones, including: According to the Guardian, as of 2014, units sold for over £1,000. The popularity of acid caused a dramatic increase in the price of used 303 units. In 2011, the Guardian listed the release of the TB-303 as one of the 50 key events in the history of dance music. In 1995, the TB-303 was distorted and processed on Josh Wink hit " Higher State of Consciousness" and on Daft Punk's Da Funk, which are two of the most iconic uses of it. In the late 1980s and early 1990s, as new acid styles emerged, the TB-303 was often overdriven, producing a harsher sound, such as on Hardfloor's 1992 EP "Acperience" and Interlect 3000's 1993 EP "Volcano". Acid, with the 303 as a staple sound, became popular worldwide, particularly as part of the UK's emerging rave culture known as the second summer of love. This became the foundation of " Acid Tracks", which was released in 1987 and created the acid genre.
By manipulating the synthesizer as it played, they created a unique "squelching, resonant and liquid sound". The Chicago group Phuture bought a cheap 303 and began experimenting. It remained obscure until the early 21st century, and is now recognized as a precursor to acid. Īnother early use of a TB-303 (in conjunction with a TR-808 drum machine) is Indian musician Charanjit Singh's 1982 album Synthesizing: Ten Ragas to a Disco Beat. " Rip It Up", by the Scottish post-punk band Orange Juice, which reached #8 in the UK singles chart in February 1983, was the first UK top 10 hit to feature the 303. It was discontinued in 1984, and Roland sold off remaining units cheaply. The 303's unrealistic sound made it unpopular with its target audience, those who wanted to replace bass guitars. Users program notes and slides using a basic sequencer. This is fed into a 24 dB low-pass filter, which is manipulated by an envelope generator. The TB-303 has a single oscillator, which produces either a "buzzy" sawtooth wave or a "hollow-sounding" square wave. However, according to Forbes, it instead produces a "squelchy tone more reminiscent of a psychedelic mouth harp than a stringed instrument".
It was marketed as a "computerised bass machine" to replace the bass guitar. The TB-303 was designed by Tadao Kikumoto who also designed the Roland TR-909 drum machine.
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